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United States Government standards define antique as any valuable collectible that is at least one hundred years old. Therefore, the term antique has a clear meaning. In recent years the term vintage has become popularized. Not all resources agree on the exact definition of vintage, but in terms of jewelry it usually means a piece that is at least fifty years old, but less than one hundred years old. From a purely correct point of view, the terms are mutually exclusive. Many aficionados just love the beauty of vintage antique jewelry.
Art deco and retro are two classifications that fall into the vintage category. Art deco jewelry was produced from around 1915 to 1935. This style is usually set in silver and uses precious and semi precious stones. The designs are different geometric shapes, such as diamond, square or rectangular. The more recent Retro circa 1945 to 1960 is bolder in design and reminiscent of old Hollywood movies and architecture. Resources do not explain the gap between 1935 to 1945. It could be speculated that the world unrest just before and during World War II was responsible for the break in productivity.
With the passing of a few years, the piece that is vintage today will mature into an antique. As the law of supply and demand would dictate, vintage pieces are more plentiful and therefore less costly. People who buy these pieces may just love the look, or they may be smart investors who understand that each vintage piece will soon increase in value as it moves into the antique classification..
Antiques span a much broader period of time and include seven categories. The oldest category, the Georgian, includes jewelry made from 1717 to 1837, and used precious metals and stones. During this time jewelry was still made by hand. This feature makes the works even more valuable, as no two are exactly the same.
The Victoria era produced three categories of antique jewelry. Early Victorian Romantic was produced from 1837 to 1855. Colored stones and diamonds were used and often adorned with gold etchings. Middle Victorian Grand followed with similar designs that used larger stones. These works were produced from 1856 to 1880. The latest category in this group, Late Victoria Aesthetic began production in 1885 and continued to 1900. Works produced in this time period reflect the fashions of that time with pendants, brooches and hat pins.
The Arts and Crafts category includes pieces made from 1894 to 1923. As the name indicates, the designs were simpler and hand made using uncut stones. Some historians see this category as a backlash to the industrial revolution with consumers once again wanting specialized hand made pieces. The Edwardian category is defined as works produced from 1901 to 1915. As seen before, the time period of categories may overlap with more than one style being produced at the same time.
The next category, Art Nouveau, produced from 1895 to 1915 had simpler designs much less ornate then its predecessors. European and American designs merged which perhaps reflects the history of this era. Art Nouveau paved the way for Art Deco. The untrained eye may confuse the two categories.
These works must be seen to appreciate the unique beauty of each of the design categories. Words alone do not do them justice. Photographs are helpful, but to actually hold and see the pieces for yourself is the best way to appreciate the artwork.
Art deco and retro are two classifications that fall into the vintage category. Art deco jewelry was produced from around 1915 to 1935. This style is usually set in silver and uses precious and semi precious stones. The designs are different geometric shapes, such as diamond, square or rectangular. The more recent Retro circa 1945 to 1960 is bolder in design and reminiscent of old Hollywood movies and architecture. Resources do not explain the gap between 1935 to 1945. It could be speculated that the world unrest just before and during World War II was responsible for the break in productivity.
With the passing of a few years, the piece that is vintage today will mature into an antique. As the law of supply and demand would dictate, vintage pieces are more plentiful and therefore less costly. People who buy these pieces may just love the look, or they may be smart investors who understand that each vintage piece will soon increase in value as it moves into the antique classification..
Antiques span a much broader period of time and include seven categories. The oldest category, the Georgian, includes jewelry made from 1717 to 1837, and used precious metals and stones. During this time jewelry was still made by hand. This feature makes the works even more valuable, as no two are exactly the same.
The Victoria era produced three categories of antique jewelry. Early Victorian Romantic was produced from 1837 to 1855. Colored stones and diamonds were used and often adorned with gold etchings. Middle Victorian Grand followed with similar designs that used larger stones. These works were produced from 1856 to 1880. The latest category in this group, Late Victoria Aesthetic began production in 1885 and continued to 1900. Works produced in this time period reflect the fashions of that time with pendants, brooches and hat pins.
The Arts and Crafts category includes pieces made from 1894 to 1923. As the name indicates, the designs were simpler and hand made using uncut stones. Some historians see this category as a backlash to the industrial revolution with consumers once again wanting specialized hand made pieces. The Edwardian category is defined as works produced from 1901 to 1915. As seen before, the time period of categories may overlap with more than one style being produced at the same time.
The next category, Art Nouveau, produced from 1895 to 1915 had simpler designs much less ornate then its predecessors. European and American designs merged which perhaps reflects the history of this era. Art Nouveau paved the way for Art Deco. The untrained eye may confuse the two categories.
These works must be seen to appreciate the unique beauty of each of the design categories. Words alone do not do them justice. Photographs are helpful, but to actually hold and see the pieces for yourself is the best way to appreciate the artwork.
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