Friday, December 5, 2014

Standards For Church Sound System Designs

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By Claudine Hodges


Each chapel has a unique design that calls for customized audio features. This uniqueness is determined by the activities that take place, expectations of the community and the structure of the chapel. There, however, are global standards that guide the choice of church sound system designs. The standards help engineers during construction and local contractors when developing a quotation.

An ideal system will help you utilize all corners of your chapel. It is the secret to capturing the attention of everyone inside the building. It feels comfortable to sit and follow proceedings from any corner. Congregants will easily follow proceedings from all corners beyond guaranteeing active participation in sermons and other activities.

The standards are developed by experts after a thorough study of needs in different cases. Audio specialists have also studied how different churches are using their systems and found a working formula. The standards are aimed at enhancing the integration between the system and the room to ensure that the ultimate purpose is realized.

Audio quality will be affected by the particulars of the design. A poor design will fail miserably even in the face of the most advanced technology. There are excellent options to suit every budgetary requirement. Working with dedicated audio engineers guarantees excellent value for money.

Audio standards apply to systems across different environments including churches and auditoriums. Human beings are inclined to face the direction of the source of sound. The first test for professionally designed systems is their ability to create one center of attention. All speakers must cause the audience to face the preacher, stage, performance or the altar. People get distracted if the voice appears to come from behind or from the sides.

A high threshold is set on intelligibility regardless of the advancement in technology being used. There is a comfortable distance that is established between the microphone and its user. The microphones must have the capacity to pick sound from the distance and broadcast it to all corners. The proposed distance is 18 to 24 inches on average.

The setting in the chapel sometimes requires several microphones to be open at the same time. This is necessary to reduce movement and time lapse between two events. Poor design will cause feedback if two microphones are open at the same time. Control should be simplified and centralized. Audio technicians ensure that all equipment are synchronized to improve the quality of sound.

Audio technicians will not be present in all functions where the systems are in use. This calls for systems that easy to operate with the least instructions. They should allow both a loud and soft speaker to effectively communicate without the need to adjust the settings.

A provision must be made to accommodate the hearing impaired members of your congregation. They include those with hearing loss and those using hearing aids. This applies even in cases where their number is minimal.

To test if the system is right, you should close your eyes and listen to the sound from the speakers. With your eyes closed, face the direction of the sound. When the eyes are open, you should be facing the center of action. A good system will increase participation and concentration in the church.




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