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During the European Middle Ages, paintings and sculptures tended to be centered on the religious issue, especially in Christianity. But as the Renaissance emerged, the focus of arts moved to classical past, seeking influence in Ancient Greece and Rome, leading to profound changes in both technically and in terms of motifs and themes of painting and sculpture (reclaimed wood wall art).
Less attention has been given arts productions of other civilizations, and even peripheral areas of Western civilization itself (as colonial America), regardless of considerations that may be of importance compared with that of central areas of western civilization . Such orientation is often accused of Eurocentrism by supporters of a global. Although the concept of arts is modern, it is perfectly usable in architecture, sculpture, painting and antique jewelry, and many of its real achievements arts and not mere utilitarian craft products. The formulation of Western classical aesthetics begins with the Greek and Roman cultures.
Many elements of Greek and Roman architecture were also adopted, but the great innovation of Renaissance architecture will be the improvement of construction of domes, highlighting the dome of Santa Maria del Fiore in Florence. Following the humanistic spirit of period, the arts turned to more secular themes, motifs looking at adding them to Christian themes classical mythology.
This kind of arts is often called Renaissance classicism. The three most influential Renaissance arts are Leonardo da Vinci, Michelangelo Buonarroti and Raphael Sanzio, belonging to Italian Renaissance. Another figure equally important but less known Renaissance (in this case, of Flemish painting) is Jan van Eyck, Dutch painter.
Since the fall of Roman Empire, many of arts techniques of ancient Greece were lost, leading to medieval painting to be mostly two dimensional. As there was no notion of perspective in arts, the people portrayed were older or younger painted according to their importance. Along with painting, tapestry was the most important form of medieval arts, considering that the tapestries were necessary to keep the heat inside the castle (built in stone) during winter. The most famous medieval tapestry is the cycle The Lady and the Unicorn.
The Greeks are responsible for a concept of arts that permeate virtually all Western European arts production for over 2000 years. The Greek word for arts, techne, which also means arts or trade, will be associated with the idea of mimesis, which considers that in real world, the arts expression should represent the search for the ideal.
Baroque arts is often seen as parts of a strategy of Counter or Catholic reform: the arts element of rise of spiritual life of Catholic Church. To some arts historians the emphasis Baroque arts gives grandeur is seen as a reflection of Absolutism. Louis XIV of France said: "I am the embodiment of grandeur", and many Baroque arts served kings seeking the same goal. However, the Baroque love of detail is often regarded as the result of excessive ornamentalism, somehow, vulgar, especially when the Baroque evolves into decorative Rococo style.
The Greeks are also responsible for a series of advances from the technical point of view of arts production. Greek arts par excellence was the sculpture: the Greeks developed impressively, and will be considered a role model for other cultures in same period.
Less attention has been given arts productions of other civilizations, and even peripheral areas of Western civilization itself (as colonial America), regardless of considerations that may be of importance compared with that of central areas of western civilization . Such orientation is often accused of Eurocentrism by supporters of a global. Although the concept of arts is modern, it is perfectly usable in architecture, sculpture, painting and antique jewelry, and many of its real achievements arts and not mere utilitarian craft products. The formulation of Western classical aesthetics begins with the Greek and Roman cultures.
Many elements of Greek and Roman architecture were also adopted, but the great innovation of Renaissance architecture will be the improvement of construction of domes, highlighting the dome of Santa Maria del Fiore in Florence. Following the humanistic spirit of period, the arts turned to more secular themes, motifs looking at adding them to Christian themes classical mythology.
This kind of arts is often called Renaissance classicism. The three most influential Renaissance arts are Leonardo da Vinci, Michelangelo Buonarroti and Raphael Sanzio, belonging to Italian Renaissance. Another figure equally important but less known Renaissance (in this case, of Flemish painting) is Jan van Eyck, Dutch painter.
Since the fall of Roman Empire, many of arts techniques of ancient Greece were lost, leading to medieval painting to be mostly two dimensional. As there was no notion of perspective in arts, the people portrayed were older or younger painted according to their importance. Along with painting, tapestry was the most important form of medieval arts, considering that the tapestries were necessary to keep the heat inside the castle (built in stone) during winter. The most famous medieval tapestry is the cycle The Lady and the Unicorn.
The Greeks are responsible for a concept of arts that permeate virtually all Western European arts production for over 2000 years. The Greek word for arts, techne, which also means arts or trade, will be associated with the idea of mimesis, which considers that in real world, the arts expression should represent the search for the ideal.
Baroque arts is often seen as parts of a strategy of Counter or Catholic reform: the arts element of rise of spiritual life of Catholic Church. To some arts historians the emphasis Baroque arts gives grandeur is seen as a reflection of Absolutism. Louis XIV of France said: "I am the embodiment of grandeur", and many Baroque arts served kings seeking the same goal. However, the Baroque love of detail is often regarded as the result of excessive ornamentalism, somehow, vulgar, especially when the Baroque evolves into decorative Rococo style.
The Greeks are also responsible for a series of advances from the technical point of view of arts production. Greek arts par excellence was the sculpture: the Greeks developed impressively, and will be considered a role model for other cultures in same period.
