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Photography is an art that has been around for so many years. For top quality results the artist, in this case the photographer needs to have the right equipment. Anyone who has embarked on an artistic effort would know that it equipment are expensive. But these people could not care less, after all it is an investment for the betterment of their craft.
These days we have the benefit of using different digital means to produce a picture that can match the quality of that developed in a darkroom. Thank you, technology. But more and more people have been trying to take up more organic ways to go about photo development. Getting the right darkroom equipment and processing images in such a method brings back the novelty of the art.
So many technicalities are involved with this. As in all fine art, being delicate and meticulous can pave the way to greatness. A good number of iconic images were produced this way, especially by publications like LIFE magazine. Knowing the whole development process, makes digital photographer appreciate the difficulty, technique and skill required in film photography.
Looking at the matter as an art, knowing how to develop these pictures without the help of a software takes a lot of skill and discipline. In hindsight, it makes you appreciate the presence of these digital solutions while learning a thing or two about the roots of photography. There are a good number of things that you would need to assemble your own darkroom.
First you need a water supply. Balancing temperatures is the key to getting the pictures to come out right. While this can be rather expensive, if you are an amateur your would do well to learn how to be attentive to temperatures instead.
The most obvious reason for this being called a darkroom is how no light should seep in. Now, this could also mean that there would be no fresh air that gets in the room too. Good ventilation is vital for a place like this. A way to do this is to cut a whole from the outside for air to come in from and then cut a hole on the inside. This can be viewed as the same way a chimney works. The brightness may not be able to come in, but air surely does.
Light, in this case has four settings. That would be white light, safelights, enlarger lights and no light at all. The thing with film is that it needs to be processed in a place with zero brightness. Even the smallest amount can destroy the image. Now it is understandable why people would rather work with a software instead.
While, in essence the place is supposed to be dark some forms of lighting is still required. The three most commonly used are safelights, enlargers and white lights. The fourth mode is no light at all. Whitelight is obviously for being able to see the final results for the prints and cleaning up after the mess. Trying to clean up without this vision is plainly absurd.
It has already been established that zero lightning makes sure that development comes out perfectly, as you would have pictured it while taking the shot. Enlarger lights are there to make sure that you see every detail in your print. Note that during the whole process, temperature inside should be between 65 and 80 degrees Fahrenheit, else it may also ruin the photo.
These days we have the benefit of using different digital means to produce a picture that can match the quality of that developed in a darkroom. Thank you, technology. But more and more people have been trying to take up more organic ways to go about photo development. Getting the right darkroom equipment and processing images in such a method brings back the novelty of the art.
So many technicalities are involved with this. As in all fine art, being delicate and meticulous can pave the way to greatness. A good number of iconic images were produced this way, especially by publications like LIFE magazine. Knowing the whole development process, makes digital photographer appreciate the difficulty, technique and skill required in film photography.
Looking at the matter as an art, knowing how to develop these pictures without the help of a software takes a lot of skill and discipline. In hindsight, it makes you appreciate the presence of these digital solutions while learning a thing or two about the roots of photography. There are a good number of things that you would need to assemble your own darkroom.
First you need a water supply. Balancing temperatures is the key to getting the pictures to come out right. While this can be rather expensive, if you are an amateur your would do well to learn how to be attentive to temperatures instead.
The most obvious reason for this being called a darkroom is how no light should seep in. Now, this could also mean that there would be no fresh air that gets in the room too. Good ventilation is vital for a place like this. A way to do this is to cut a whole from the outside for air to come in from and then cut a hole on the inside. This can be viewed as the same way a chimney works. The brightness may not be able to come in, but air surely does.
Light, in this case has four settings. That would be white light, safelights, enlarger lights and no light at all. The thing with film is that it needs to be processed in a place with zero brightness. Even the smallest amount can destroy the image. Now it is understandable why people would rather work with a software instead.
While, in essence the place is supposed to be dark some forms of lighting is still required. The three most commonly used are safelights, enlargers and white lights. The fourth mode is no light at all. Whitelight is obviously for being able to see the final results for the prints and cleaning up after the mess. Trying to clean up without this vision is plainly absurd.
It has already been established that zero lightning makes sure that development comes out perfectly, as you would have pictured it while taking the shot. Enlarger lights are there to make sure that you see every detail in your print. Note that during the whole process, temperature inside should be between 65 and 80 degrees Fahrenheit, else it may also ruin the photo.
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