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In electronic modern music today there is a great majority or at least a large amount of musicians, engineers and music producers that depend almost solely on electronic devices to create modern music. In fact even a classical instrument has to be recorded with a microphone which if you think about it, is one of the most ingenious devices ever created in sound among many. The way a microphone captures sound is just like how a camera captures light and images from it.
It starts with the instrument: guitar, bass, drums, synthesizer and vocals. Then it passes through the cable and into the amplifier or to the studio board with it's audacious variety of circuits, transformers and effects with more wiring in itself and on it goes. The only place it stops is when it actually starts which is the speaker or the recorded audio (not to say of recorded ) What is rather interesting to many could be the variety of gear there is for the artist,engineer, and music producer. There are many already kinds of processors and devices that will shape the sound. From Compressors to pre-amps and limiters to pitch effects, the amount of devices that will shape, change or augment the sound is hard to quantify, yet in all situations decisions are to be made as to what effect to use, what brand or what company to use it from and exactly how it will be used.
architect, and music maker. There are numerous types of processors and gadgets that will shape the sound. From Compressors to pre-amps and limiters to pitch impacts, the measure of gadgets that will shape, change or enlarge the sound is difficult to evaluate, yet in all circumstances choices are to be made in the matter of what impact to utilize, what brand or what organization to utilize it from and precisely how it will be utilized.
depending on what you can realistically afford and that is acceptable. Though, when a studio
has a higher budget line they must decide between the differences in sound of different boards or as well when and when not use computer based dynamics and effects which can level the playing ground.Some of the most famous albums of all time were created with specific kinds of effect use and sometimes the company that the fact was made from. Many subtle differences in sound have an overall impacts on some of the most famous and respected albums. There is a lot of mental work sometimes that goes in to making the decisions of the records. It sometimes startling how the songs we love so much were also seemingly tailor crafted sound to fit the songs themselves. Maybe, it could also be that the decisions were an ongoing process in the evolution of the works of the artist and songwriters as well.
In modern music today sometimes the most experimental of music demands the most experimentation and attentiveness to the writing process such as Ambient, Electronic and other types of Experimental music forms. A lot of these kinds of music and other modern music are dependent almost solely on the electronics and gadgetry of today's creatively made equipment.
Sometimes two different kinds of brands will make an effects processor for example sound virtually the same. There are other times where you may find an effect processor or one with many effects that are distinctly unique and sounds mostly not like anything else. The one area ,which is almost ironic, which there are the most scrupulous decisions made in a processor are in dynamics sometimes.
It is ironic that these processors which are thought to have least impact on an overall sound can in their own way have the most. Though that might be hard to convince someone when discussing flangers or chorus effects. It seems to be in the long run that most of these decisions are made on usage and experience and experimentation. Though perhaps there might be some Guardian Entity above that helps to turn the tide for the most desperately needed new artist or composer for each of the times in which we live.
It starts with the instrument: guitar, bass, drums, synthesizer and vocals. Then it passes through the cable and into the amplifier or to the studio board with it's audacious variety of circuits, transformers and effects with more wiring in itself and on it goes. The only place it stops is when it actually starts which is the speaker or the recorded audio (not to say of recorded ) What is rather interesting to many could be the variety of gear there is for the artist,engineer, and music producer. There are many already kinds of processors and devices that will shape the sound. From Compressors to pre-amps and limiters to pitch effects, the amount of devices that will shape, change or augment the sound is hard to quantify, yet in all situations decisions are to be made as to what effect to use, what brand or what company to use it from and exactly how it will be used.
architect, and music maker. There are numerous types of processors and gadgets that will shape the sound. From Compressors to pre-amps and limiters to pitch impacts, the measure of gadgets that will shape, change or enlarge the sound is difficult to evaluate, yet in all circumstances choices are to be made in the matter of what impact to utilize, what brand or what organization to utilize it from and precisely how it will be utilized.
depending on what you can realistically afford and that is acceptable. Though, when a studio
has a higher budget line they must decide between the differences in sound of different boards or as well when and when not use computer based dynamics and effects which can level the playing ground.Some of the most famous albums of all time were created with specific kinds of effect use and sometimes the company that the fact was made from. Many subtle differences in sound have an overall impacts on some of the most famous and respected albums. There is a lot of mental work sometimes that goes in to making the decisions of the records. It sometimes startling how the songs we love so much were also seemingly tailor crafted sound to fit the songs themselves. Maybe, it could also be that the decisions were an ongoing process in the evolution of the works of the artist and songwriters as well.
In modern music today sometimes the most experimental of music demands the most experimentation and attentiveness to the writing process such as Ambient, Electronic and other types of Experimental music forms. A lot of these kinds of music and other modern music are dependent almost solely on the electronics and gadgetry of today's creatively made equipment.
Sometimes two different kinds of brands will make an effects processor for example sound virtually the same. There are other times where you may find an effect processor or one with many effects that are distinctly unique and sounds mostly not like anything else. The one area ,which is almost ironic, which there are the most scrupulous decisions made in a processor are in dynamics sometimes.
It is ironic that these processors which are thought to have least impact on an overall sound can in their own way have the most. Though that might be hard to convince someone when discussing flangers or chorus effects. It seems to be in the long run that most of these decisions are made on usage and experience and experimentation. Though perhaps there might be some Guardian Entity above that helps to turn the tide for the most desperately needed new artist or composer for each of the times in which we live.
About the Author:
Learn more about experimental ambient rock. Stop by Benjamin Degraff's site where you can find out all about experimental electronic rock music and what it can do for you.
